Monthly Archives: July 2017

Going Clear Movie, Part 3 – Tony Ortega, anti Scientology propagandist

 

Going Clear Movie Part 3, Tony Ortega – Anti Scientology Propagandist, transcript:

Mark Rathbun:

At 25:30 of the film, Tony Ortega shows up.  I participated in a documentation that happened a year or two earlier that dealt a lot with my thoughts and perspectives about Scientology.  I was being relatively objective about it. The one thing that bothered me about it was they used this technique of interjecting Tony Ortega into it. The technique was they would press me on things – like the IRS, like there was something untoward about Scientology’s tax exemption, and I am not going to say that because it wasn’t true. I did say, “hey, we fought fire with fire, and we won, to get to the table; and then we were treated like a normal citizen. And we passed with flying colors.”  But they want me to say, no, no, you coerced it or you did it fraudulently.  And I won’t say it. So, they get me saying something about the rough stuff that was going on when we were going head to head with the IRS, in order to get too the table.  So then they bridge it with Tony Ortega just blithely saying, “Oh, yeah, they fraudulently got the exemption and – all this stuff that Marty is talking about, intimidated them into doing it (granting exemption).” So, he was used as bridge to get me to say all the false things I wouldn’t say throughout the movie. So, Alex Gibney, the great auteur – he is a lot like Mike Rinder, I don’t know if he has had an original thought in his entire life – because he used the exact same technique.  Tony Ortega’s name does not appear in Lawrence Wrights book and yet he is the most quoted people throughout the documentary. (Holds up book) He is not in this book!

Ortega will say whatever the anti Scientologist wishes

Tony Ortega comes in and makes any statement you need him to make in order to keep your false narrative flowing.  That they had to go to him, when he didn’t even appear in the book… I phoned Gibney after the fact and said to him, “you know what,  you are going to get all these accolades because it is very popular to jump on Scientology right now, but in the long run that was the biggest mistake you ever made, bringing this guy in.  And he didn’t deny it.  He just said, “well, I can’t throw him under the bus.”  And I said, “I’m not asking you to throw him under the bus. I am just telling you, I’m just informing you.”  And the context in which this came up was, Gibney wanted me to come to New York to the big international press day where they had this whole convention set up with every media under the sun, moon and stars. And I said, “ok, sure”, initially. And then I find out because Tony Ortega is all over it the he and Mike Rinder are going to be there.  And I told Gibney, “I don’t want to be an exhibit in a freak show. If somebody wants to talk to me, I want to have mature conversations about Scientology.  If you have something like that I’ll do it.”  So, I took Alex Gibney to school on Tony Ortega and why I wouldn’t want to associate or be involved with him.  Because it was a big juvenile delinquent style trolling game for Ortega.  And Mike Rinder was steadily becoming one of Ortega’s acolytes.  I told him “I don’t want to get into arguments and mess up your movie premiere; and I don’t want to have that type of juvenile discussion, game playing.”    And of course, I was right. 

Going Clear Movie, Part 2 – Phony Haggis narrative, deceptive editing

Going Clear Movie Part 2, Wright, Gibney Deception, transcript:

Mark Rathbun:  At 6:15 in the film Wright says “I’ve studied Jonestown, radical Islam”, go give his qualifications I guess and to give comparatives. I spoke to this guy for hours and days about religions and things he had written about “Methodists, Satanists, Atheists, Catholics”, everything but Jones town and radical Islam.  But, all the sudden, Larry Wright is an “expert” on Islam and Jonestown because they are going to implant this idea real early to give you…”we are going position Scientology right from the beginning with my new invention.”  Wright says right after that, “My goal was not simply to write an expose, it was to understand Scientology.”  Now, I’ve done a whole analysis of the book and just with my personal experience with Wright, that is most false he could possibly make.  I mean, I’ve gone through it chapter and verse; and it is a complete, utter lie.  His goal was clearly to write an expose from the beginning. Anything that had anything to do with bringing an understanding about Scientology – which he got in spades from me over days, weeks and months – none of it made it into his book. So, this is just a complete and utter lie.  So, he sort of create this aura of objectivity which is false.

Phony Haggis Narrative

Gibney does a good job, as Wright did, of shifting the timeline back and forth. So, he is kinda of telling a narrative, but he is real liberal moving things around and not dating them so that, like I said before, you end like it is all in present time.  So, at 7 minutes into they skip back to Paul Haggis and was what was he trying to resolve by getting into Scientology.  And Haggis says, “I’m in love.”  You go back to the book and he’s asked the same question and he answers that he had bad grades and he was going nowhere.  They have just created a second, new script.  Then Haggis said he told his wife “it could save our relationship.”  Nowhere in the book does he talk about their relationship being a problem, let alone a reason for joining Scientology.  Not in the book, not in the film, nowhere else.  It is all of the sudden a new, invented scenario. 

More Phony Haggis re religion

So, at 7:45 into the movie Paul Haggis said he was troubled when he found out Scientology was a religion.  Of course, because he is such a deeply intellectual person it was troubling.  Except that in the book, his first encounter was on the street, and it was not about somebody telling him about a cult in New York (yet another tale Haggis wove), it was a guy handing him a copy of the book Dianetics which Haggis flipped open and it said “Church of Scientology of London, Ontario.”  And Haggis’ response to “Church of Scientology of London, Ontario” was “take me there!”   But now we’re doing the movie, and we’re really going to influence the Hollywood people and really marginalize Scientology, so we just rewrite the script. Now all the sudden, Paul “the intellectual”, was troubled when he found out it was a religion. 

Deceptive editing

At 9:10 Spanky Taylor comes in – and, I don’t know Spanky Taylor from Adam – but I do know that the whole way that they have edited this film, she all the sudden says from nowhere she signed a billion year Sea Org (Scientology Fraternal Order) contract.  There is no possible way – and I was in the Sea Org for twenty-seven years and another ten years afterwards with a lot of interaction with Sea Org members – and there is not a single one of them who doesn’t have some sort of life-changing, life-altering sort of miraculous experience through Scientology before signing a billion year contract.  And they just dramatize you know, she says “they just couldn’t hold me back!”  Right? Well, what was it that you experienced that put you in the state that you couldn’t held back?  But Gibney is like, “we’re not going to put that in here.”  So, it is really sleazy editing. 

Going Clear Movie, Part 1 Overview, Hysteria Creation

 

Going Clear Movie Part 1 Overview, Hysteria Creation, transcript:

Mark Rathbun:  After my experience with Harry Smith (NBC Rock Center)  trying to get me to discredit the legitimacy of Scientology’s tax exemption on behalf of Lawrence Wright (see Going Clear, Part 19 – IRS and NBC’s Attempted Ambush),  I never heard from Larry Wright. For a year and half I had been fielding continuous phone calls with Wright with him clarifying things we had discussed.  I had written my review of the book and posted it, which wasn’t too kind.  In late 2012 Mike Rinder said “hey, I’m working with Alex Gibney on this movie about Wright’s book.  That was real odd. I had been disengaging for some time from the whole Anti-Scientology business.  Rinder wanted to know whether Gibney could call me. I said “sure, he can call me.”  So Gibney called late in the year to set a time for an interview.  This is my take on the movie, now seeing his final product.  First of all, I refer to it as McDocumentary and I refer to Gibney as a sort of McDocumentarian. I did look at two previous documentaries he’d done  which I knew something about the facts of. One was Enron, The Smartest Guy in the Room. I had read the book. And the other one I was familiar with was the pedophile priests scandal. I thought Gibney’s movies on they were some of the most  lazy, boring things I had scene. So I wasn’t really impressed.  So when I saw Going Clear, I was kind of taken aback by how emotional he made the whole thing.  I mean, he couldn’t have made the Catholic pedophile priest scandal more mundane, banal and boring. And yet you had tens of thousands, hundreds of thousands of children being violated and continuing to be violated.  So, I was kind of shock to see in the Scientology movie to really make the story  – which by then to me, I’ve gone through the book with you – Gibney makes it this super melodramatic, emotional thing.  And that is why at event on the movie that I spoke in Austin I referred to Gibney as an auteur.  To me, it was like he dramatized the whole thing.  He wound up dramatizing Wright’s work which supposed to be a work of non-fiction.  After the movie came about, because the only things in it that hadn’t already been published before were uttered by me – and that was a very small body of stuff – I was the only one the media wanted to talk to.  So, they are up at the Sundance Film Festival (where it was initially released).  I hadn’t heard from these guys in forever. All of the sudden I’m getting all these text messages from Mike Rinder and Gibney’s people. Now they are all frantic, because they are all up there taking bows on the stage and nobody wants to talk to Rinder, they don’t want to talk to Marc Headley, they don’t want to talk to Tony Ortega.  And all these guys are up there at Sundance, trying to jump into the spotlight. So, I got sort of thrust into this thing. I did a little media at the outset.  Because my face was out there connected with the movie. And I started getting emails because this was an unprecedented amount of exposure for an anti Scientology piece.  And I started getting emails from all over the place from people connected with Scientology.  I found myself having to defend Scientology because these people were just hysterical.  That was the effect that the movie had.  Like I’d get this stuff about children because Spanky Taylor says in the movie that something happened; and they have no idea that she was talking about 1978. I mean, put aside whether it is exaggerated, put aside whether it is true.  The one thing I do know is that it happened in 1978. The people who watched the movie had no idea.  They think that whatever she is griping about is happening right now.  So, I’m having to calm people down, “now, wait a second, that particular thing that has got you so tied up, that happened in 1978. Scientology has not even had child care facilities since the mid-eighties. Ok, that’s thirty years ago.”   I mean, these are the types of responses I’m having to give people.  “Calm down”, right?  I mean, paranoid things. A lot of them were former members who were like completely convinced that phones were being monitored. And I’d look at the circumstances of the person, I’d say, “Look man, first off they aren’t doing any of that stuff, but second of all, you are the last person on earth they would be interested in.” I mean this is like he just created this hysteria. Because there hasn’t fresh accusations about Scientology in the past ten years, the Anti Scientology people are just rehashing stuff.  And they are rallying around this idea about ‘disconnection’; saying it is the most horrendous thing, this policy of disconnection, which is basically shunning.  A lot of messages and calls had to do with that.  So there business connections and family members who had connections with Scientology who were all in an hysteria about “I’ve have to resort to something radical to either get the person out of Scientology, or disconnect so they can’t hypnotize me in some way.” It really was shocking to me.  I’d been out for a long time and I have sort of involved in the anti Scientology area, and I’d never seen such hysteria before.  So, I just handle every inquiry, the person in front of me, one by one.  So, I literally found myself having to put things in context for people.  The impression created to people at large was, they cherry picked the most sensational accusations from 50 years – because they indicted L. Ron Hubbard from the age of 12 – or from 40 from the inception of Dianetics itself, all the way up to present time and communicated it such a way as to say “this is all happening now and it is a clear and present danger to you.”  And if you go down the roster of the people who are creating the most hysteria, they are 35 years before, 50 years before, and 65 years before the present respectively. And they are people talking about things that happened that many years ago. So, accuracy be damned, or accountability for hype and exaggeration be damned, all that stuff is  highlighted then thrust on you. It created an impression. I know from first hand because I was sort of becoming the point person for those so effected. And literally to a one I found myself trying to get people to calm down, “hey, that’s not happening.”  Whether it did or didn’t happen before, it was mainly about putting things in time sequence.  I ultimately came to the conclusion that Gibney is a fantastic propagandist.  Because he created this emotional and deep guttural fear and terror of something that does not exist. 

Leah Remini and her Troublemakers, Part 17

Leah Remini and her Troublemakers, Part 16

Leah Remini and her Troublemakers, Part 15

 

Leah Remini and her Troublemakers, Part 14

Leah Remini and her Troublemakers, Part 13

Cybercult Formation

 

How do warlike tribes resembling cults form up in cyberspace?  Pankaj Mishra offers historical, psychological, and sociological answers in Age of Anger (2017).  A short passage from that book provides food for thought and self-reflection:

The current vogue for the zombie apocalypse in films seems to have been anticipated by the multitudes on city pavements around the world, lurching forward while staring blankly at screens. Constantly evolving mobile media technologies such as smartphones, tablets and wearable devices have made every moment pregnant with the possibility of a sign from somewhere. The possibility, renewed each morning, of ‘likes’ and augmented followers on social media have boosted ordinary image consciousness among millions into obsessive self-projection. The obligation to present the most appealing side of oneself is irresistible and infectious. Digital platforms are programmed to map these compulsive attempts at self-presentation (or, self-prettification), and advertisers stand ready to sell things that help people keep counterfeiting their portraits.

Meanwhile, in the new swarm of online communities – bound by Facebook shares and retweets, fast-moving timelines and twitter storms – the spaces between individuals are shrinking. In his prescient critique of the neo-liberal notion of individual freedom, Rousseau had argued that human beings live neither for themselves nor for their country in a commercial society where social value is modelled on monetary value; they live for the satisfaction of their vanity, or amour propre: the desire and need to secure recognition from others, to be esteemed by them as much as one esteems oneself.

But, as Kierkegaard pointed out, the seeker of individual freedom must ‘break out of the prison in which his own reflection holds him’, and then out of the ‘vast penitentiary built by the reflection of his associates’. He absolutely won’t find freedom in the confining fun-house mirrors of Facebook and Twitter. For the vast prison of seductive images does not heal the perennially itchy and compulsively scratched wounds of amour propre. On the contrary: even the most festive spirit of communality disguises the competitiveness and envy provoked by constant exposure to other people’s success and well-being.

As Rousseau warned, amour proper is doomed to be perpetually unsatisfied. Too commonplace and parasitic on fickle opinion, it nourishes in the soul a dislike of one’s own self while stoking impotent hatred of others; and amour propre can quickly degenerate into an aggressive drive, whereby an individual feels acknowledged only by being preferred over others, and by rejoicing in their abjection – in Gore Vidal’s pithy formulation, ‘It’s not enough to succeed. Others must fail.’

Why?

Why?

The following words written by Reinhold Niebuhr in 1952 sum it up neatly:

Irony consists of apparently fortuitous incongruities in life which are discovered, upon closer examination, to be not merely fortuitous. Incongruity as such is merely comic. It elicits laughter. This element of comedy is never completely eliminated from irony. But irony is something more than comedy. A comic situation is proved to be an ironic one if a hidden relation is discovered in the incongruity. If virtue becomes vice through some hidden defect in the virtue; if strength becomes weakness because of the vanity to which strength may prompt the mighty man or nation; if security is transmuted into insecurity because too much reliance is placed upon it; if wisdom becomes folly because it does not know its own limits – in all such cases the situation is ironic. The ironic situation is distinguished from a pathetic one by the fact that the person involved in it bears some responsibility for it. It is differentiated from tragedy by the fact that the responsibility is related to an unconscious weakness rather than to a conscious resolution. While a pathetic or a tragic situation is not dissolved when a person becomes conscious of his involvement in it, an ironic situation must dissolve, if men or nations are made aware of their complicity in it. Such awareness involves some realization of the hidden vanity or pretension by which comedy is turned into irony. This realization either must lead to an abatement of the pretension, which means contrition; or it leads to a desperate accentuation of the vanities to the point where irony turns into pure evil.